The
Authorized
Rege
Cordic,
Cordic
& Co.
and
Olde
Frothingslosh
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the
Sterling Yates Story
By
Richard C. Stafford
The
Pittsburgher Magazine, December, 1956
A
TICKET agent of a nationally known airline was startled recently, when a
polished voice, with very affected tones said, “If you don’t obtain
a seat on the plane about to take off old man, I’ll buy the airlines
and demote you to scraping the ice off of the wings.” The voice was
that of Sterling Yates, portraying one Baldwin McMoney, a man with
“simply scads of money,” and one of the many characters Yates
portrays each morning on the Rege Cordic show.
Sterling
Yates is a tall, well proportioned balding young man of 30, with simply
“scads of talent.” He has never had any formal training in radio or
acting, but says, “I guess I have been creating characters ever since
high school.” In 1949, his characters became something more than just
mere amusement for his friends.
In
that year, another young man by the name of Rege Cordic was beginning to
make a mark on radio. He had a zany morning show, on which he played
records and “joshed around” with various characters who kept
entering the studio on one pretense or another. The show mocked well
known radio programs and “types,” and even the weather report was
rigged for laughs. It wasn’t long before thousands of Pittsburghers,
workers and businessmen, students and housewives, tuned in the program
over the breakfast table or in their autos on the way to work. A
standard phrase in the everyday conversation of Pittsburgh was, “Did
you hear the Cordic program this morning?”
In
1949, Cordic signed Yates to play the part of Dad on his program, the
old man with a million gadgets and tales to talk about. To Yates, the
part was more of a sideline than a career, his main interest being
music. The realization that this modest beginning might turn out to be
something worthwhile hadn’t struck him yet.
In
the years following ‘49, Yates attended Carnegie Tech, where he
studied music. During the same period, he played saxophone, clarinet,
oboe and English Horn for various bands and orchestras in the Pittsburgh
district. He was also the leading actor on radio’s “Adventures in
Research” and “Childrens’ Bookshelf.” But his ability to create
characters with entirely different voices, as well as personalities, fit
in perfectly with the Cordic program.
By
1953, Yates’ “characters” were taking the major share of his time.
His humour and that of Cordic’s were of the same timbre. Together,
they whipped the program into one of the most popular on radio.
Gradually more characters were added. One’s such as Oob the musician,
and his sidekick little Oob. Lee, the Chinese laundryman with the German
accented father. And of course, there was Baldwin McMoney, the
“richest kid on the block.” In the brief period of three years,
Yates found his popularity rising fast, and he became a leading radio
personality. People no longer said “Hello” - but rather - “How are
you Baldwin old boy,” or “Where’s Oob man?” Just as often, it
was the character who answered and not Yates.
As
the Cordic show grew, it seemed that the ideas for the various skits
came from inexhaustible sources. People wondered how the material was so
entirely fresh and different from day to day. The program had no
writers, and most of the material had to be credited to the cast itself.
One of their best ideas was a parody on a beer advertisement called
“Old Frothingslosh Pale Stale Ale.”
In
1952 Rege Cordic conceived the idea for old “Frothingslosh,” a beer
with “the foam on the bottom instead of the top.” The gimmick was
nothing more than just a pun on modern advertising. But last Christmas,
“Olde Frothingslosh” became a reality. A local brewery decided to
try the idea on the market. Using their own brand of beer, they made up
labels for the “Whale of an Ale for a Pale Stale Male.”
Pittsburghers liked the idea. They bought over 100,000 cases of the brew
made from “The tradition steeped tanks of the Frothingslosh brewery at
upper Crudney on the Thames.” This Christmas, the name of
Frothingslosh will go out of the state of Pennsylvania. An estimated
quarter of a million cases are expected to be sold.
Yates
too, will have a part in the commercials advertising the now famous
“Pale Stale Ale.” He and the other members of the Cordic group will
pull their talents to get laughs and sell beer at the same time. Almost
an unbeatable combination.
Many
who have heard Yates on the radio and many who know him personally,
define him as a “character.” That is not quite true. For he is,
without a doubt, several. He is all of the ones mentioned above and
more. In each case, not one of them can be alienated from Sterling Yates
the individual. He has created them and lived with them, and it is
little wonder that they continually manifest themselves all day, on
radio as well as in his private life.
Each
of the characters that Yates has given birth to is entirely individual.
Perhaps that is the reason he is constantly haunted by them. On his
evening radio show, on TV, at home, anywhere… they creep into his
conversation frequently. So much so that he confesses that “Sometimes
man, they even flip me. You Dig? They hang me up.” For example, after
having finished a meal at a restaurant recently, Yates, in the character
of DAD, informed the waitress that he desired a little dessert. Would
she please bring him “a Lightning Jim bar, three Eskimo pies, two
deviled crabs and a box of Good and Plenties?” The astonished
waitress, no doubt thinking she had a weird one on her hands (and who
could blame her?) promptly obliged by writing down the indigestible
combination on her order pad.
And
so it goes day without end. Sterling Yates as Dad, Sterling Yates as
Baldwin, Sterling Yates as—anyone but himself. His wife Jeanne has
this to say about it all: “It’s something like living with five
entirely different men.” What is her reaction when he switches
character? Yates says she gives him a bemused tolerant stare and says
“Everyone wants to do comedy these days. You can’t find a straight
man anywhere.”
During
the November elections, Cordic, Karl Hardman (better known as Perrywinkle,
Louie, and Quick and Easy O’Brien,) and Yates rented a train to
campaign for Carmen Monoxide (Bob Trow) for President. They were greeted
by large crowds of fans at West Newton, Connellsville, Fairmont,
Wheeling, West Va., and many other towns. Carmen is indebted to Baldwin
McMoney for the funds for the campaign and for the laying of the train
tracks, which incidentally, “Will not be used again but will remain
intact for future generations to ponder.”
Sterling
Yates minus sidekicks, can be serious. A 1951 graduate of Carnegie Tech
school of Music, he takes this phase of his life very seriously. He has
definite ideas on music, as some executives at KDKA can attest to. On
his nightly record show he plays Jazz for the most part, believing
that “people hear the commercial stuff
all day.” On Rock and Roll for instance, he says that “even mediocre
jazz is better than the best Rock and Roll,” and that the
“youngsters of today are being exposed to anything music-wise, which
gives them nothing to found any good taste upon.” Of course he is also
serious about two other things in his otherwise unserious life—his two
children: Lindsay, his daughter, age 8, and Sterling Jr. (Skipper), age
3.
Yates,
aside from his busy schedule in radio, is also appearing on KDKA TV’s
morning “Hometown” show with Ed Schaughnecy. A Jack of all trades,
he plays saxophone with Johnny Costa, interviews visitors, and “joshes
around in general.” He has ideas for a late evening TV show of the
Steve Allen variety.
Yates
is also an avid hockey fan, and he was one of the many who regretted the
tearing down of the old Duquesne Gardens. But, he says, “I’ll drive
to Hershey to see the games if necessary.” Not content with just being
a spectator, he played in one of the practice sessions with the
Pittsburgh Hornets. “They were very kind,” he says, “I only lost
an arm and a leg.”
And
that is Sterling Yates, or Baldwin, or Lee, or the Question man. As
Carmen Monoxide put it, “My hat is off to Yates and all his Sterling
characters.” •
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